“Battleground”: The Day Stephen King Made His Own Army Men Movie

In 2006, fans of Stephen King’s stories and Army Men enthusiasts were treated to a curious and surprising gem: the miniseries “Nightmares and Dreamscapes”, a TV anthology based on some of King’s most memorable short stories. But within that collection, there was one episode that stood out in a unique way, one that, for those of us who love the Army Men universe, is simply impossible to ignore. And it was the first episode…

That episode is called “Battleground” and it’s basically an Army Men movie, but with Stephen King’s unmistakable touch.

!!! SPOILER ALERT !!!

From this point forward, we reveal key plot details about the episode. If you haven’t seen it and want to enjoy it fully, we recommend watching it first and then returning to this article.

The Plot: Miniature War, Terror on a Human Scale

The story follows Jason Renshaw (brilliantly played by William Hurt), a cold and meticulous hitman who, after eliminating the founder of a powerful toy company, returns to his luxury apartment.

What he doesn’t imagine is that the founder’s mother, seeking revenge for her son’s death, sends him a very special package: a box of toy soldiers… but these are no ordinary toys.

Inside is a fully armed platoon of plastic soldiers, fully mobile, ruthless, and deadly, accompanied by miniature vehicles, jeeps, attack helicopters, and portable artillery. What follows is a brutal, relentless battle where the soldiers do everything possible to kill Renshaw, using real military tactics adapted to their scale, while he, a professional hitman, fights to survive in what becomes a life-or-death war… inside his own spectacular apartment.

No Dialogue, Pure Visual Storytelling

One of the most striking aspects of this episode is that it has absolutely no dialogue. Not a word. Everything is told visually, through actions, expressions, and clever staging. This was no accident: it was a deliberate decision by director Brian Henson (yes, the son of Jim Henson, creator of The Muppets).

As Henson explained in interviews, he chose not to use any spoken lines to preserve the purity of the story, focusing solely on the tension, the fight, and the brutality of the encounter. This choice turns “Battleground” into a deeply immersive experience… almost like a cinematic experiment made for television. And no need of translation to any language!!!.

Production: Perfect Blend of Practical Effects, Miniatures, and CGI

Filming took place mainly in Australia, where the crew built an almost exact replica of the protagonist’s apartment on an enormous elevated set. This allowed the camera to capture every angle — even from below — creating a strong sense of scale both for the human and the plastic soldiers.

The mix of practical effects (miniatures, small-scale, plastic soldier suits, explosions) and CGI was considered top-notch for its time. The little Army Men are incredibly detailed, with precise movements, military discipline, body language and gestures that bring them to life (because their plastic faces show no emotions).

Recognition and Awards

Without a doubt, “Battleground” was the most successful and celebrated episode of the miniseries. It was nominated for three Emmy Awards, including Outstanding Visual Effects, and rightfully so. The care put into every frame, how the soldiers use tactics, cover, formations, and vehicles, is truly impressive.

The Plastic Army as the Perfect Villain

What makes this episode so fascinating (especially for Army Men fans) is how it takes the classic elements of toy soldiers (vehicles, weapons, miniaturization) and turns them into a legitimate, lethal, and fully believable threat within its own internal logic.

These soldiers are not cartoonish: They are perfectly organized, disciplined, and ruthless. They use grenades, missiles, helicopters, artillery and light vehicles with terrifying efficiency, proving that size doesn’t matter when the will to fight is absolute.

Similarities with Army Men: Not Few at All

For any fan of the Army Men franchise, watching this episode feels like seeing a hyper-realistic live-action version of what we always imagined when playing with our plastic figures. There are assault strategies, defense tactics, reconnaissance, siege and even encirclement maneuvers.

But beyond aesthetic similarities, the core idea connecting both works is the same: when toys come to life within their own universe, they stop being harmless objects and become players in their own war drama.

In Army Men, the troops are protagonists with agency. Here, they are villains with a clear goal and an efficiency bordering on the supernatural.

Bonus Facts and Curiosities

• The original story was published in Cavalier (1972) and later in Night Shift (1978).
• The director added the opening assassination scene to give more characterization to Renshaw on screen.
• The adaptation includes an extra Rambo-style commando figure, serving as a mini-epilogue before the final nuclear detonation.

A fun Easter egg appears: the famous Zuni doll from Trilogy of Terror can be seen, a tribute to screenwriter Richard Christian Matheson and his father Richard Matheson.

There’s also a Soviet animated version from 1986, called Srazhenie (“Battle”), using rotoscoping while keeping the core plot intact.

Differences from the Original Short Story (King’s Short Story / TV Episode)

Protagonist’s Name:

John Renshaw / Jason Renshaw (played by William Hurt).

Opening Scene:

Wakes up after the assassination / Shows the assassination in real-time.

Dialogue:

Includes brief spoken lines / Completely silent, no dialogue.

Final Scene:

Immediate nuclear explosion / Elevator fight with a commando, then nuclear blast.

Easter Eggs:

None / Zuni Doll (from Trilogy of Terror).

Length and Pacing:

Around 10 pages, highly condensed / 55-minute episode with expanded development.

Epilogue: When Horror and Toy Soldiers Collide

“Battleground” is a short, precise masterpiece that mixes horror, action, and dark humor with impeccable execution. For Army Men fans, it’s more than just a wink… it’s an alternative version of our fantasy world, darker, more brutal, and stripped of the comedy or adventure that usually surrounds the Toyverse.

A story where small doesn’t mean weak. Where harmless becomes lethal. And where the battlefield fits (quite literally) inside an apartment.

“Battleground” is a narrative experiment that fuses small-scale military strategy with suspense and terror. It may not be the heroic vision of Army Men, but it captures that same warlike fantasy from another angle: that of the relentless adversary who won’t hesitate to annihilate.

For the Army Men community, it’s a dark tribute (and just as tactical) as our own plastic wars.

Recommendation:

Not only essential for King or horror fans… this episode is a masterclass on how to turn the small into genuine strategic horror. Absolutely unmissable for Army Men fans and anyone who ever dreamed of their toy soldiers coming to life… and fighting for real.

Fun Fact:

The latest game released by the franchise, Army Men: Mobile Ops, used the image of one of the soldiers from this production as the main image of the game’s main menu (we don’t know if it was used legally or not).